![]() Some songs were recorded in sections and were then edited together on the 1" 8-track. When Marriott sang, the veins would stick out on the side of his neck like twigs, and in-between verse, chorus and solos he would dive off the microphone and fool around in an exaggerated, theatrical manner. They would look at each other, smile, say "Nice", then have another go, trying not to laugh. The key word at times like that was "Nice". “The members of the band were endlessly messing about, forgetting the lyrics and musical parts. I loved this approach, and I liked the way they would find things in the studio to hit or play at random (I was reminded of this many years later, again when working with Talk Talk). ![]() Lead and backing vocals were usually recorded at the same time in this loose party atmosphere, with Marriott and Lane intermittently playing some form of percussion or random finger-clicks. As we were no longer limited to 4 tracks, each instrument now had a track of its own - this still left 4 tracks to overdub vocals, solos, effects and orchestral arrangements. Working in Studio 1, we laid down songs as a band, with drums, bass, guitar and piano or organ, set up according to Glyn's tried and tested layout. Marriott and Lane were particularly funny and engaging and stormed through the sessions with little regard for conventional studio procedure or technicalities. He was a fireball, always talking and up to some practical joke, a natural at amusing people and enjoying life. He was sharp and clever, cheeky, hilariously funny and had an irresistible personality. Marriott had been brought up on musicals and played the Artful Dodger in the musical Oliver when he was 12 years old. They were much influenced by old Music Hall traditions, and this showed in the way they used rhythms, melodies and character vocals. Steve Marriott and Ronnie Lane had written the majority of the songs and were producing the album with Glyn. “Partly due to the zany nature of the material, the sessions for Nut Gone Flake had a great atmosphere and were full of humour. "Tagchen", says Christian Lorenz cheerfully on the phone and asks to call again in a few minutes - he needs a little more time. The time delay cannot be interpreted as a star allure, when talking to Flake, as the 55-year-old calls himself as an artist, you quickly forget that he has been playing keyboards for one of the most successful rock bands of today for over a quarter of a century. Their last tour took Rammstein across Europe's football stadiums in 2019, and in 2022 the Berlin band will again play in North America and Europe - including twice in the sold-out Wörthersee Stadium in Klagenfurt. The reason for the conversation is comparatively quiet: Flake actually wanted to go with his biography "Today is the world's birthday" on a reading tour through Austria. A virus intervened. The four dates have now been postponed to autumn 2022. Based on his GDR memories (“Der Tastenficker”, 2015), Flake not only tells of the difficult early days of an often misunderstood Ossi band in his second book, but also deals with existential questions, writes about alcohol problems, bullying at school and his Living with stuttering.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |